the “confetti” piece
2015-2018, double channel video projection, 3D animation, silent, color, 18 min. 25 sec.
The motif of the work is a single moment in time taken from an event that looks like a local election celebration in the United States.
Thousands of confetti are falling from the sky, as guests are starting to clap their hands.Set in a neo-classical building, the falling confetti pulls all gazes upwards. The particles , tumbling down gently like transparent flower petals seem to be an index of lightness.
By means of this material, Claerbout, searching for remnants of tactility within the digital realm unites irreconcilable aspects in the physical world : weightlessness and heaviness. At the core of the work is a detail in the scene : the panic reflex of a young boy. Like gravitational force, his silenced scream pulls the objects in the picture back down.
Both aspects of lightness and weight co-exist in their enduring opposition, producing a new, third aspect that really only manifests itself over time (with the minutes). For Claerbout, digital materiality will not remain content as a virtual reality but will attempt to penetrate in as many as possible aspects of life, altering optical and material habits. Lens-based images therefore are all ready part of the past, to be replaced by dark optics.
Annet Gelink, Amsterdam, 2018
KAI10 Arthena Foundation, Düsseldorf, 2020
Kunstmuseum Winterthur, 2020
Helga de Alvear Museum, Caceres, 2020
Garage Museum of Contemporary Art, 2021
installation view Annet Gelink Gallery 2018 photo Michel Claus
installation view KAI 11 Düsseldorf 2020-2021 photo: Achim Kukulies, Düsseldorf
installation view Unseen Sound Garage Museum of Contemporary Art Moscow 2021 (photo: Ivan Erofeev) © Garage Museum of Contemporary Art